Study after Velázquez's Portrait of Pope Innocent X is a 1953 painting by the Irish artist Francis Bacon. The work shows a distorted version of the Portrait of Innocent X painted by Spanish artist Diego Velázquez in 1650. The work is one of a series of over 45 variants of the Velázquez painting which Bacon executed throughout the 1950s and early 1960s. The picture was described by Gilles Deleuze as an example of creative re-interpretation of the classical.
When asked why he was compelled to revisit the
subject so often, Bacon replied that he had nothing against the Popes, that he
merely sought "an excuse to use these colours, and you can't give ordinary
clothes that purple colour without getting into a sort of false fauve
manner."
Velázquez's 1650 portrait of Pope Innocent X.
Although Bacon avoided seeing the original, it remains the single most
influential painting on him, and its presence can be seen in many of his best
works from the late 1940s to the early 1960s.
In Bacon's version of Velázquez's masterpiece, the
Pope is shown screaming yet his voice is "silenced" by the enclosing
drapes and dark rich colors. The dark colors of the background lend a grotesque
and nightmarish tone to the painting.[3] The pleated curtains of the backdrop
are rendered transparent and appear to fall through the representation of the
Pope's face. (WIKIPEDIA)
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.